The Edit Bank is for teams that already have content or footage and need production support. Media Department is for companies that want VideoVenus to own the strategy, creation and publishing process too.

That's what Media Department is designed for. We can build the content approach and production system with you.

Yes. Channel Management covers publishing, channel operations and optimization and can work alongside your production setup.

That’s the goal. Continuity helps your editor learn your content over time; if volume grows, we can add capacity without making you rebuild the whole workflow.

Yes. Send us previous videos, references and brand guidelines. We use them as the starting language, then refine from your feedback.

Yes. Recurring production is a core VideoVenus use case. For larger volume, we build the production schedule around your publishing calendar.

It’s prepaid editing capacity. You buy a bank of minutes, use them across eligible work, and top up when you need more.

Each Edit Bank is available for 90 days, giving you room to use the capacity around your actual content schedule.

Eligible unused minutes can roll into a new Bank only when you top up before the current Bank expires. Rollover is not automatic or indefinite; the validity period resets with that top-up.

No. Editing capacity is purchased as an Edit Bank rather than resetting every month. YouTube Channel Management is a separate ongoing service.

60 minutes is the lighter starting point; 150 minutes suits more consistent production. For larger recurring needs, we can scope 300+ minute volume capacity.

Because the production work is different. Clean focuses on polished post-production; Visual adds more B-roll, graphics, visual explanation, motion and supporting assets.

An unused Edit Bank can be refunded within 14 days if production has not started.

Clean makes the video feel polished without filling it with visual additions. Visual goes further — helping the viewer see the story through stronger B-roll, graphics, callouts and supporting visuals.

Cuts and pacing, cleanup, audio, colour correction, captions, titles, music, light B-roll and simple graphics — the essentials for professional, distraction-free content.

More B-roll, animated captions, callouts, designed graphics, infographics, supporting AI visuals, simple motion and stronger visual storytelling where the content needs it.

Revisions are included within the original brief and supplied assets. The goal is to get the agreed edit right — not charge you for every normal adjustment.

A new concept, newly supplied footage, or a major change in creative direction may require additional Edit Bank capacity. Small corrections within the agreed brief are revisions.

It depends on length and complexity. A 10 minutes Long-form YouTube work is often around 2–3 days; a one-hour e-learning edit can require around 14 days or more. We confirm the real timeline before editing begins.

Tell us before production starts. If the team has the capacity, we’ll confirm what is realistically possible rather than promise a deadline we can’t protect.

Yes. Standard delivery can go up to 4K. Heavy RAW, LOG, advanced colour or unusually demanding source workflows may need separate scoping.

Standard Edit Bank scope includes up to 60 minutes of raw footage, or roughly 2× the intended final runtime for longer videos - whichever is greater.

Send it. We’ll look at the source before production begins. Large footage dumps, heavy sorting or extensive source review can be scoped separately instead of quietly slowing the project down.

You can share the Google Drive or Dropbox link to your raw files directly through your Content Management Dashboard.

Yes, but heavier RAW/LOG workflows and advanced colour work may fall outside standard Edit Bank scope. Send a sample first and we’ll confirm it before production begins.

Yes. We can prepare agreed outputs such as 16:9, 9:16 and 1:1, with the resolution and format confirmed for the platforms you actually need.

No. Channel Management is a separate ongoing service, so you only pay for it if you actually want operational channel support.

Depending on scope, it can cover uploads, scheduling, publishing support and ongoing channel operations. Deeper optimisation, reporting or strategy can be defined in the management plan.

Yes, when publishing or Channel Management is part of your scope. Editing and channel operations stay separate so the responsibility is always clear.

No password sharing should be necessary where permission-based channel access is available. We prefer secure role/access permissions over sharing login credentials.

Yes. Thumbnail Design is available alongside editing and Channel Management, so the final video and its packaging can stay coordinated.

No — and we wouldn’t pretend to. We control the quality and consistency of the production work; audience response ultimately depends on the content, topic, packaging, channel and distribution.

Yes. We handle vertical short-form alongside long-form production and can prepare content for the platform it is actually being published on.

Yes. If you give us the moments or timestamps, the process stays straightforward. If you want us to review hours of footage and find the best clips for you, that content-selection work is scoped separately.

Yes. We work on talking-head lessons, screen recordings, supplied slides and more visual educational content depending on the editing style you choose.

Yes. That can include full episodes, multicam editing and short-form cutdowns, depending on the project and source footage.

Yes, when they genuinely help explain or support the story. Full AI-generated video production is treated as a separate service rather than quietly folded into a normal edit.

Yes, but those are custom-production needs rather than standard Clean or Visual Editing. We scope them separately so a simple editing plan doesn’t hide expensive production work.